Paper Moon c. 1910s (via)
I finally got around to taking some photos of Elixir Soup and Juice bar, that my girlfriend and I rebranded. Here’s an image of the outside of the shop, including the signs that I hand painted. Head on over to my website to see the full project!
I’d love to see a Black Widow movie. I think it will [happen]. It has to. We’ll rally for it. We’ll get it started.
Poems read by Tom Hiddleston. [listen]
may i feel said he - e.e cummings | He wishes for the cloths of heaven - w.b yeats | as i walked out one evening - auden | from the princess - alfred lord tennyson | sonnet 18 - william shakespeare | love and friendship - emily bronte | bright star - john keats | she walks in beauty - lord byron | dover beach - matthew arnold | there is a lady sweet and kind - anonymous | if music be the food of love - william shakespeare | when you are old - w.b. yeats | us two - a.a. milne | sigh no more - william shakespeare | down by the sally gardens - w.b. yeats | desiderata - max ehrmann | we’ll go no more a roving - lord byron | to his coy mistress - andrew marvell | sonnet 130 - william shakespeare |
Freedom Ship - Freedom Ship International, 1990s
Seasteading - The Seasteading Institute, 2008
Cities in The Sea - Venus Project, 2002
Operation Atlantis - Werner Stiefel,1971 (no image)
Blueseed - Blueseed 2011
New Utopia - Lazarus Long, 1990s
Eugene Tsui - Nexus, 1986
Floating cities are dreamed of because how cool is that?–an entirely legitimate, admirable reason. The archives of seasteading are irresistible reading, the best of the utopias are awesome, and floating-city imaginings are in themselves a delightful mental game. The problem is the crippling of this tradition by free-market vulgarians.
The uncompromising monoliths of fascist and Stalinist architecture expressed their paymasters’ monstrous ambitions. The wildest of the libertarian seasteaders, New Utopia, manages to crossfertilize its drab Miami-ism with enough candy floss Las Vegaries to keep a crippled baroque distantly in sight. Freedom Ship, however, is a floating shopping mall, a buoyant block of midrange Mediterranean hotels. This failure of utopian imagination is nowhere clearer than in the floating city of the long defunct but still influential Atlantis Project.
It is a libertarian dream. Hexagonal neighborhoods of square apartments bob sedately by tiny coiffed parks and tastefully featureless marinas, an Orange County of the soul. It is the ultimate gated community, designed not by the very rich and certainly not by the very powerful, but by the middlingly so. As a utopia, the Atlantis Project is pitiful. Beyond the single one-trick fact of its watery location, it is tragically non-ambitious, crippled with class anxiety, nostalgic not for mythic glory but for the anonymous sanctimony of an invented 1950s. This is no ruling class vision: it is the plaintive daydream of a petty bourgeoisie, whose sulky solution to perceived social problems is to run away–set sail into a tax-free sunset.
I’m a witch woman; high on tobacco and holy water. I’m a woman delighted with her disasters. They give me something to do. A profession of sorts. I have the magic of words.
Go out and do something. It isn’t your room that’s a prison, it’s yourself.
From what I’ve gleaned from attending conferences, it feels like a large percentage of the people writing children’s books are white women in their forties, fifties, and sixties with at least some college education. This probably has been the case for decades. The children’s book authors I’ve met often share a few characteristics: They grew up with books, they’ve read a lot, they have some sort of connection to children, either through teaching, parenting, or a job that puts them in contact with kids, and they’ve had the time and money to develop their writing skills and attend conferences. So I think there is definitely a socio-economic factor in becoming a children’s book author.
“Anastasios Gionis is a digital sculptor and 3D modeler for the film industry. His work has been featured in films such as Snow White and the Huntsman, Cabin in the Woods, Land of the Lost, Hop, The Curious Case of Benjamin Button, The Sorcerer’s Apprentice, and The Mummy: Tomb of the Dragon Emperor.
"He also did character design for kids TV shows including As Told by Ginger, All Grown Up, Squirrel Boy, and Rocket Power.”
the dog episode
what am i watching
m shadows’ hair + the new shepherds of fire music video leads me to believe avenged sevenfold are having a collective nervous breakdown
who is this
he is all my 90s teenage dreams
you are in my breakfast club contemporary remake (which should never happen but i can think about it anyway) dreamcast, sir
It’s Miles McMillan…
i am not coping very well with this man’s face why is this man’s face a thing why is this allowed